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Computer Kinetic Abstract 105


800 pixels (w) x 600 pixels (h), computer ‘painting’ using my own ‘kinetic’ abstract computer program.
Date produced: 17th April 2002

I was happy here with the overall composition of tones, colours and textures.

This image makes me think of a surface (or the bark) of a living tree trunk, that has been unwrapped from the trunk.

 

 

 

Detail (at 100%):

 

 

 

 

 

Computer Kinetic Abstract: Facets 1 - Worked No. 3


736 pixels (w) x 528 pixels (h), computer ‘painting’ using my own ‘kinetic’ abstract computer program,
and post-processed using Adobe Photoshop Elements.
Date produced: 26th September 2006

I see this image as a surface of many interacting gradients of colours, that from a distance would be seen just as a flat grey - a little like the surface of a rock. I was very happy with this image, which came about mainly through trying different ways of combining and processing layers in Adobe Photoshop Elements.

The original abstract image, produced on my Amiga 1200 computer (note the different image size of 736 x 528 pixels) is shown below the detail image.

 

 

 

Detail (at 100%):

 

 

 

Original Abstract Image:

736 pixels (w) x 528 pixels (h), computer ‘painting’ using my own ‘kinetic’ abstract computer program developed on an Amiga 1200 computer.
Date produced: 28th January 2002

This image consists of areas of flat colours, shaped by many small circles that get their colours from the colours of the pixels below the centres of where they will be drawn.

 

 

 

 

 

Computer Kinetic Abstract 34S


800 pixels (w) x 600 pixels (h), computer ‘painting’ using my own ‘kinetic’ abstract computer program.
Date produced: 11th April 2002

This is quite a complex build up of layers of elements using a variety of ‘paintmodes’, with most paintmodes requiring the reading of spots of colour already on the image. All of the elements are rectangles arranged either vertically or horizontally, but there are thousands of them. I like the subtle modulations of tone throughout the whole composition, plus the interplays occurring within the smaller, more local areas.

 

 

 

Detail (at 100%):

 

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