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From the Foot-Bridge Through the Forest


From the Foot-Bridge Through the Forest
75 cm (w) x 55 cm (h), conté and pastels on acid-free coloured-ground ‘Canson’ paper.
Date produced: May 2002

A Yellow-Tailed Black Cockatoo flies slowly along the valley. Walking across the footbridge, which stretches across the pine forest valley through the cleared area shown in the drawing, often makes me feel as though I am floating, or flying. I deliberately didn’t draw in the bridge, and wanted to draw the scene as if I were floating without the bridge holding me up (which is why I wanted to show the point directly below me). I’ve used a very wide-angled curved-space view, with an exaggerated ‘aerial perspective’ (in the colouring), to help express the forms, structures, and hopefully even the ‘breathing’ air around everything. I applied grids over the surface of the ground and around the tree forms, to help give a stronger sense of form, structure, and orientation.

Drawn partly on-site, in the pine forest at Flinders University, and drawn partly in my studio at home directly from an earlier drawing that was done entirely on-site. A more complete explanation of its development can be found in the Documented Development of a Major Drawing section. I am very proud of what was attempted in this drawing, and what was achieved.

This drawing was packed and held by me in the seated section of the Indian Pacific passenger train to take it from Adelaide to Sydney, for entering it in the Art Gallery of New South Wales’ 2002 Wynne Prize. I eventually needed to re-pack the drawing for bringing it back to Adelaide on the Indian Pacific passenger train. I was pleased that I managed to get the drawing to the Art Gallery of New South Wales, and then back to Adelaide without it suffering any real damage (even though the pastel work is unfixed).

 

 

 

Detail 1:

From the Foot-Bridge Through the Forest - Detail 1

 

 

 

 

Detail 2:

From the Foot-Bridge Through the Forest - Detail 2

 

 

 

 

Detail 3:

From the Foot-Bridge Through the Forest - Detail 3

 

 


 

Another related artwork:

 

The Sugar-Loaf 2


The Sugar-Loaf 2
73 cm (w) x 53 cm (h), conté and pastels on acid-free coloured-ground ‘Canson’ paper.
Date produced: September 2003

Produced entirely on-site, in the Hallett Cove Conservation Park. A flock of mostly light coloured pigeons flies over the cliffs behind the Sugar-Loaf.

This is a view of part of ‘The Amphitheatre’ (a large semi-circular region of eroded clay and limestone cliffs and outcrops), which included the geological form called ‘The Sugar-Loaf’. The Sugar-Loaf is the whitish conical form on the right of the drawing, with reddish coloured rounded forms below it.

The whole scene was an interesting composition of ancient, naturally formed landforms. I applied ‘felt’ grids over all of the various landforms, to better express their forms and orientation.

I needed to return to the same place, at the same time of the day, during similar weather conditions more than a half a dozen times to develop this drawing to this state.

 

 

 

Detail 1:

The Sugar-Loaf 2 - Detail 1

 

 

 

 

Detail 2:

The Sugar-Loaf 2 - Detail 2

 

 

 

 

Detail 3:

The Sugar-Loaf 2 - Detail 3

 

 

 

 

Detail 4:

The Sugar-Loaf 2 - Detail 4

 

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